VOICE   |   T&C

sarahzaharanski_4

TV DOCUMENTARY

 

Der Blumen- und Zimmerpflanzen-Check
ORF, 2024

Heizen adé - das Ende der fossilen Brennstoffe?
ORF, 2023

Warum essen wir, was wir essen?
ARTE/ORF, 2023

Supermarkt: Die Wahrheit hinter Premium-Linien
ORF, 2023

Essen online einkaufen
ORF, 2023

Nachhaltig im Geschäft - Der Ökoweg ins Chipspackerl
ORF, 2022

AUDIO DRAMA

 

aufsicht
Voice: Roman Blumenschein, Sarah Zaharanski
Text: Alexandra Pâzgu
Composition, music, recordings: KMET
Kollektiv Weiter/ORF, 2022

 

WAS WIRKLICH GESCHAH
by Miriam V. Lesch, Dominik Tremel & Sarah Zaharanski
wins first prize at Berliner Hörspielfestival 2021
shortlisted at 'track 5' contest
broadcasted on OE1 Hörspielmagazin, Radio Salzburg, Radio Orange, 2021

 

Die Theorie der Innovation
written and directed by Dominik Tremel
shortlisted at 'Hörspielsommer Leipzig'
broadcasted on Deutschlandfunk Kultur, 2020

COMMERCIAL

 

C&A, Milka, Darbo, ...

RADIO PLAY

 

That's life in Dystopia
novel written by Johanna Grillmayer
OE1, 2024

Die Einsamkeit der Ersten ihrer Art
novel written by Matthias Gruber
OE1, 2023

Arson
novel written by Laura Freudenthaler
OE1, 2023

Ich bin der, den jeder Politiker kennt
radio feature
written and directed by Claudia Gschweitl
wins prize at 'Radiopreis der Erwachsenenbildung 2018'
OE1, 2018

Chicken or Pasta?
radio monologue
written by Klemens Renoldner
OE1, 2018

Am Himmel
novel written by Anna-Elisabeth Mayer
OE1, 2018

AUDIO BOOK

 

Die schlechteste Hausfrau der Welt
written by Jacinta Nandi
Die Hörgalerie, 2020

AUDIO WALK

 

SCHREI
voice: Sarah Zaharanski
directed by Raffaela Gras
Dschungel / Museumsquartier Vienna, 2023

Das Geheimnis um die drei Türme
Outdoor Escape Room
Rolle: Nyra
Time Busters, 2023

AUDIO SAMPLES

 

Darbo Fruchtikus

karriere.at

Digital Austria

Jeep

The use of the performance and/or voice, its modulation, timbre, associated gestures, and all comparable characteristics of the voice talent is permitted solely for the purpose explicitly defined in the present contract and the specific production. The employment of the performance and/or voice and all its characteristics for feeding (including text and data mining), archiving, training, simulation, or any other activities related to Artificial Intelligence (AI), machine learning, robotics, computer games, or any other methodology aiming to use or alter the voice (including voice cloning) is not allowed without the explicit written consent of the voice talent.