VOICE | T&C
Sarah Zaharanski is a voice actress for radio plays, audio books, features, reports, documentaries, dubbing and commercials.
Together with friends, she conceived the short radio play project WAS WIRKLICH GESCHAH, in which she speaks all the characters. They won 1st prize at the Berlin Radio Play Festival 2021. In 2023, the radio play aufsicht was awarded 3rd place in the Audience Award for the OE1 Radio Play of the Year. She works regularly for the Austrian broadcasting channel ORF and its radio station OE1.
AWARDS
3rd place - Audience Award: OE1 Radio Play of the Year 2022 for aufsicht
1st place - short radio play: Berliner Hoerspielfestival 2021 for WAS WIRKLICH GESCHAH
Top 10 - nomination: OE1 Kurzhoerspielwettbewerb 2021 for WAS WIRKLICH GESCHAH
Short List - nomination: Leipziger Hoerspielsommer 2021 for Die Theorie der Innovation
Radiopreis der Erwachsenenbildung 2018 for Ich bin der, den jeder Politiker kennt
DUBBING
Moloch Files (2025)
Canal+ | Dubbing director: Peter Strauss | Cast: Anna
ART EXHIBITION
Echoes of Drought • Sophie Falkeis (2026)
Commissioned work by the Swiss Federal Research Institute WSL
In English language.
DOCUMENTARY
So feiern wir Ostern (2026)
ORF/3sat | Director: Franz Gruber
So feiern wir Weihnachten (2025)
ORF/3sat | Director: Franz Gruber
Öko-Flüge, nur ein Luftschloss? (2024)
ARTE/ORF | Director: Audre Favre
Der Blumen- und Zimmerpflanzen-Check (2024)
ORF | Director: Florian Riedelsperger
Drei Kaiser und ein Star - Fischer von Erlach (2023)
ORF/ARTE | Director: Harald Staudach
Heizen adé - das Ende der fossilen Brennstoffe? (2023)
ORF | Director: Paula Pucker
Warum essen wir, was wir essen? (2023)
ARTE/ORF | Director: Doris Tromballa
Supermarkt: Die Wahrheit hinter Premium-Linien (2023)
ORF | Director: Stefan Domnanovich
Essen online einkaufen (2023)
ORF | Director: Stefan Domnanovich & Florian Riedelsperger
Nachhaltig im Geschäft - Der Ökoweg ins Chipspackerl (2022)
ORF | Director: Judith Weissenböck
RADIO PLAY
Hier treibt mein Kartoffelherz • Anna Weidenholzer
OE1, 2025
Halbnah • Anna Maria Stadler
OE1, 2025
That's life in Dystopia • Johanna Grillmayer
OE1, 2024
Die Einsamkeit der Ersten ihrer Art • Matthias Gruber
OE1, 2023
Arson • Laura Freudenthaler
OE1, 2023
Ich bin der, den jeder Politiker kennt • Radio feature by Claudia Gschweitl
OE1, 2018
wins prize at Radiopreis der Erwachsenenbildung 2018
Chicken or Pasta? • Klemens Renoldner
OE1, 2018
Am Himmel • Anna-Elisabeth Mayer
OE1, 2018
AUDIO DRAMA
aufsicht • Alexandra Pâzgu (2022)
OE1 | Audio drama by Kollektiv Weiter | Composition, music: KMET | Role: Museum attendant
WAS WIRKLICH GESCHAH • Miriam V. Lesch (2021)
OE1 | Audio drama by Miriam V. Lesch, Dominik Tremel & Sarah Zaharanski | Role: Voice of all characters
wins first prize at Berliner Hörspielfestival 2021
shortlisted at 'track 5' contest
Die Theorie der Innovation • Dominik Tremel (2020)
Deutschlandfunk Kultur
shortlisted at Hörspielsommer Leipzig
AUDIO BOOK
Die schlechteste Hausfrau der Welt • Jacinta Nandi (2020)
Die Hörgalerie | Director: Clemens Ansorg
AUDIO WALK
SCHREI • kollektiv kunststoff (2023)
Audio walkd and performance in Dschungel / Museum Quarter Vienna
Director: Raffaela Gras | Role: Voice & Artistic collaboration
Das Geheimnis um die drei Türme • Time Busters (2023)
Outdoor Escape Room Radstadt | Role: Nyra
COMMERCIAL
Voice of major brands in Austria and Germany, including C&A, Darbo Fruchtikus, Milka, ...
AUDIO SAMPLES
Darbo Fruchtikus 2025
Darbo Fruchtikus 2019
Digital Austria
Energie AG
karriere.at
The use of the performance and/or voice, its modulation, timbre, associated gestures, and all comparable characteristics of the voice talent is permitted solely for the purpose explicitly defined in the present contract and the specific production. The employment of the performance and/or voice and all its characteristics for feeding (including text and data mining), archiving, training, simulation, or any other activities related to Artificial Intelligence (AI), machine learning, robotics, computer games, or any other methodology aiming to use or alter the voice (including voice cloning) is not allowed without the explicit written consent of the voice talent.